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George Orwell’s six golden rules for every writer to follow

George Orwell’s six golden rules for every writer to follow

Advice for improving your writing can be found far and wide. An array of influential linguists, creative writing tutors and, of course, published authors, all freely offer their opinions on crafting the perfect sentence, paragraph, chapter and novel.

But, here at PublishNation, to avoid the constant contradictions, we thought we’d step back in time and learn from one of the storytelling masters. Eric Arthur Blair, or George Orwell to you and me, is widely accepted as one of the most important writers of the 20th century.

A Clergyman’s Daughter, Animal Farm, Nineteen-Eighty-Four and Keep the Aspidistra Flying are regarded as being among some of the best novels ever written in the English language.

Orwell’s essays, journalism, and non-fiction books, such as Down and Out in Paris and London or The Road to Wigan Pier, also offer lucid prose and lasting reflections of social history.

Orwell, though, was a teacher as well as a writer, and in his essay Politics and the English Language, he produced six golden rules for every writer to follow.

More than 70 years on, Orwell’s prescriptions for penning perfect sentences and paragraphs are as relevant as ever.

  1. Orwell could identify superfluous words at a mile – if it’s possible to cut a word out, always cut it out.
  2. According to Orwell, interesting developments within any story rely on the verbs – never use the passive where you can use the active.
  3. He was also a great proponent of keeping it simple – never use a foreign phrase, a scientific word, or jargon if you can think of an everyday English equivalent.
  4. And always keep it original – never use a cliché, metaphor, simile, or other figure of speech which you often hear or see in print.
  5. Orwell was never impressed by lengthy words that don’t belong – never use a long word where a short one will do.
  6. Orwell’s sixth and final rule speaks for itself – break any of these rules sooner than say anything outright barbarous.

In essence, Orwell championed precise and clear language as the foundations for any piece of writing. He also offered recommendations on tutoring yourself to produce the type of sentences that made him so successful in his writing.

On sitting in front of, not a typewriter anymore, but a laptop, the scrupulous writer, in every sentence that they write, according to Orwell, will ask themselves at least four questions:

What am I trying to say?

What words will express it?

What image or idiom will make it clearer?

Is this image fresh enough to have an effect?

Orwell stated, “One can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails.” To be on the safe side, he added a further two rules to consider when reading back your original draft:

Could I put it more shortly? Have I said anything that is avoidably ugly?

George Orwell was only 46 when he died in 1950. As well as leaving a remarkable legacy of published works, he also left some valuable advice for all of us wanting to improve our writing.

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